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Physical model of the mountain set - view from entry.
2/14
New large windows are framed by deep set tapered aluminum fins that reflect light into the lobby space within.
3/14
Line drawing of facade & mountain set beyond.
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Physical model of facade & mountain set beyond.
5/14
The open facade welcomes the public and foregrounds the interior lobby & slatted white oak mountain, making a new visual connection with the sidewalk and street.
6/14
Panelization diagram of the mountain. A lightweight stage set for the public lobby, the assemblage of slatted white oak unifies elevator, stairs, storage, balcony and ticketing counter into a single visual element.
7/14
Physical model of the slatted white oak mountain. The artifice performs as a public set for the lobby, unifying elevator, stairs, storage, balcony and ticketing counter into a single visual element.
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The mountain set. A slatted white oak artifice unifies elevator, stairs, storage, balcony and ticketing counter into a single visual element.
9/14
Deep chromosomal mullions each have a short (p) arm and a longer turned (q) arm. The varying degree of arm turns determine the perceived openess of the facade, which shifts with the movement of the observer.
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The facade appears most open from a viewpoint perpindicular to it.
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Mock-up of sill, jamb & mullions.
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A previous extension occupied the same ground for most of the building's life until being demolished in the 1980s.
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Masonry stem walls were added to the facade in the 1930s. The new lobby will occupy the space bracketed by these two walls.
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Three mullion of the facade do not turn and reference three original windows above.